Little Green Wonder

BJF design high headroom overdrive with adjustable low/mid EQ balance

Hand-made in Finland premium quality classic blues/rock pedal that works very well with complex overdriven amp sound.

It's a low compression, high headroom overdrive with high output, and it has a Body knob for adjusting low-mid content and treble.

The LGW was made to be a stackable overdrive that could go anywhere in the pedal chain and the compression normally associated with this type of circuit is reduced same as several distortion mechanisms.

This pedal will work very well with amps and other pedals that have a lot of complexity or compression, a situation that not all pedals work well.

LGW makes a great building block to sound yet it works standalone and especially with humbuckers where normally this type of circuit would not work satisfactory, much due to bass loss and sometimes separated sounds (where transients feed through and a cloud of distortion follows beneath.

Body control gives access to medium midhump at center position and allows treble boost at cw rotation and low mid/treble boost a ccw position and so unit also can provide distortion albeit a smooth type. LGW can be used as an overdrive to already distorting amplifiers or pedals downstream, as well as function as a filter when feed with fuzz pedals that may be rough on some amplifiers and can also be used as light overdrive for just breaking up sound

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Mighty Red Distortion

BJF design high gain distortion pedal

Hand-made in Finland premium quality distortion pedal.

MRD is a high-gain distortion pedal, which was modelled after the 80's style compressed gain sounds. It is extremely easy (and lot of fun) to play, because its texture is adjusted to give clarity and definition also at heavy distortion. Gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, we didn't use any noise gate or expander. Instead, we used special amplifier techniques and extreme low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation.

MRD has that 80's sound many have longed for but never got before at such low noise levels and versatility. The Presence control was designed to control the upper treble, but not to affect the upper midrange, so that you can get the exact treble you desire. You can master anything from fat warm singing distortion to screaming cutting leads with the MRD's Presence control.

Step into your spandex trousers and plug in the Mighty Red Distortion pedal!

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Deep Blue Delay

BJF design ambient delay pedal

Hand-made in Finland premium quality delay pedal.

– Deep Blue Delay is a natural sounding digital/analog delay, with analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

– There are no noise reduction circuits, which keeps decay of echo as natural as possible.

– The direct signal path is short and made with analog amplifiers with no filtering.

– There should be no distortion or tone coloration as long as input level is in range below maximum allowed.

– The echo signal has a tuned filtering to allow extreme settings without interference.

The delay is specially designed to work well with distorted tone, as this is the most critical application, where delays often fail.

You can use the pedal before or after distortion. As such, it will work exceptionally well on clean sounds where requirements are less stringent, especially in terms of echo bandwidth and repeat formation.

The delay tone has been carefully tuned with lot of attention to the first critical reflection and how the repeats decay.

Deep Blue Delay is kept small (Width x Length x Height :69mm x 111mm x 50mm including jacks and knobs) containing just the basic delay features; Delay Time, Delay Level and Repeat controls. It was designed to work as an ambience delay; like that of a vintage tape echo and the repeat formation was specifically designed to allow easy setting and less critical setting of delay time. With delay times higher than 120ms, the delay time is sometimes set on the beat or on a multiple of the beat. Deep blue handles this by not giving full range repeats, but a tuned response that don’t need to be on the beat to sound good.